The authoritative guide to ensuring science and technology make life on Earth better, not worse.
By Carole Gallagher | November 1, 2013
In this essay, the author explores whether nuclear catastrophe is beyond the reach of art. A documentary photographer, she reflects on her own work capturing the lives of those who lived downwind of the nuclear tests conducted at the Nevada Test Site in the United States. Many years after being immersed in the project for a decade, and documenting the effects of 1,000 nuclear devices that had exploded above this population, the author finally arrives at the answer to her question.
The Bulletin elevates expert voices above the noise. But as an independent nonprofit organization, our operations depend on the support of readers like you. Help us continue to deliver quality journalism that holds leaders accountable. Your support of our work at any level is important. In return, we promise our coverage will be understandable, influential, vigilant, solution-oriented, and fair-minded. Together we can make a difference.
Issue: Bulletin of the Atomic Scientists Volume 69 Issue 6
Keywords: American Ground Zero, Mormon, Nevada, cancer, nuclear test, photography
Topics: Uncategorized